Type Fitting

...the question always come up at least once:

"How can I deal with too much text???"

Too much text? These Typefitting Tricks can help take some fat off over-long text.
One of the most frequent questions from workshop attendees is "What do I do about too much text?"
Did you ever notice how any publication is like a container? No matter how much space you've got, it always seems to get filled up. Have you ever had a client call with "just a few" revisions and additions and it turns out to be several pages? What I'd like to know is how come the article can get bigger but the page can't!
So many people in my workshops say "But Fred, I can't use your great graphics tips because I have too much text!" Here are a few suggestions for those times when you're on deadline, and the copy is just a few lines longer than the space you've designed for it...
1. Chop'till you drop...
Read the copy and look for areas where a little clipping doesn't disturb the content of the piece. Sometimes near the end of an article you may find whole paragraphs that can go. Be ruthless. Sometimes you can find separate paragraphs that deal with the same, or similar content. See if you can combine them.
2. Kill the fluff...
Edit out nonessential words. I've never seen copy I couldn't edit. I always look for paragraphs where a word or two will pull up a line. Kill redundant words, or empty adjectives (like "very" or "really" - many writers, put these in and they really don't add too much to the content. Ahem! Really?)
3. Tighten the spacing...
Sometimes a quarter-point can spell relief. Tighten the leading if your software allows it in small doses. (Beware: if you tighten a point or more, it may throw off the overall look in relation to other editorial. Try it and see.)
4. Tighten characters...
If software allows, try some kerning (tracking) in places that look more "open" than others. Not much though. You never want body text to touch. Stand back and squint at your final output. If the kerning caused darkening of passages of text, that means you did too much.
5. Check the tongue...
Look for over-wordy heads and sub-heads. Many times you can rewrite these to be shorter... and more powerful. Read them out-loud -- this really shows up the rough spots.
6. Test the pudding...
Look for multiple examples. Many writers will use an example, followed by a second one, and sometimes a third. Can one be cut?
7. Remove sub-heads...
Try using a bold or heavy set for the subs, as paragraph lead-ins. This can be as effective as separating them out as unique design devices.
8. Shrink the heads...
Try a point or so less for heads. Remember too, if the heads are 24-point or larger, they can be set solid (same leading as size: 24/24) or even negative (24/22)
9. Give me a little squeeze...
Your reader shouldn't notice if you squeeze your heads a bit. Try 95% horizontal compression. Sometimes this will pull a two-line head into two. Be careful: do not squeeze too much. It should NOT be noticeable.
10. Crop'till you Drop...
Did I say that? Look at graphics and pictures. See if an 80 to 90% reduction will help. Sometimes it makes a great difference. Look for cropping opportunities in depth. Can you tighten the top border of a photo closer to the person's head? I'll bet you can.
11. Move'em out...
Move graphics or pictures and let them impose into margins. Scaling and moving can sometimes open up half-column for a runaround. Be careful... sometimes runarounds in themselves cause fitting problems. If you are running around a graphic (say) with ragged text, ask yourself if there's a better place to put the art? Like in a spot where the lines are short anyway. You'll also fit more text if you move that runaround to the bottom of the page or section, where it will only run around a portion of the graphic.
12. Trim'em down
Cutlines, captions, pull-quotes all take space. Reread your captions to see if you can eliminate text repeated from the article. Remember: captions are to note... not explain. Many writers put too much in captions anyway. They should never be more than two lines. One line is best. If the article is about the person, specifically, you don't need a caption at all!
Hope this helps.
If you'd like specific examples, and samples, just let me know and I'll put them in a future DT&G article. There's a lot you can do to get those articles to fit without sacrificing your design or graphics.
Fred Showker
(Now, stepping down from his soap-box!)
PS: Call your favorite book store and order LINE BY LINE: How To Improve Your Own Writing. This is a wonderful book and sites many examples that will give you the power to recognize baggy writing, and will tell you how to eliminate it. Tightening text is an art, and this book will seriously help you. It's by Claire Kehrwald Cook, published by Houghton Mifflin Company (Two Park Street, Boston MA 02108) ISBN: 0-395-39391-4. It will be the best $8.95 you ever spent on that newsletter! Do it.
For the header of this piece uses "Figment" from the Great American Font Works CD
Yes, you're right... the characters are designed to look "underexposed" dropping the fine strokes!
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